The speed of atoms, gravitational waves, flashbacks, and déjà vus, the voices of ghosts in the voices of the living, dances after the end of time, the survival of archaic knowledge in the new clothing of the present:
Just as it is with black holes, which swallow time in the universe, so it also is with language, which creates a gap in the body. It is pure presence and thereby always a bit behind or ahead of the world. The ventriloquism, which the Lausanne choreographer Yasmine Hugonnet and her colleagues Audrey Gaison and Ruth Childs have incorporated for Chro no lo gi cal, makes this gap visible: a gap between face and voice, a gap between voice and words, a movement of thought that goes from the bottom upwards. It emerges in the same breath, crosses the face, and takes shape in a dance.
Mit Ruth Childs, Audrey Gaisan-Doncel, Yasmine Hugonnet Choreografie Yasmine Hugonnet Assistenz Isabelle Vesseron Szenografie Nadia Lauro Szenografieassistenz (Maschinen) Mathieu Dorsaz Lichtdesign Dominique Dardant Sound Frédéric Morier Outside Eye Mathieu Bouvier Künstlerische Zusammenarbeit Michael Nick Kostüme Machteld Vis, Karine Dubois Backup Assistenz Claire Dessimoz Fotos Anne-Laure Lechat
Eine Produktion von Arts Mouvementés in Koproduktion mit Théâtre Vidy-Lausanne, CDC – Atelier de Paris CDCN, CCN de Caen en Normandie dans le cadre du dispositif accueil-studio, CCN de Rillieux-la-Pape dans le cadre du dispositif accueil-studio
Residenzen Théâtre Vidy – Lausanne, CND - Pantin, La Briqueterie CDC du Val de Marne, CDCN – Atelier de Paris, CCN Rillieux la Pape, CCN de Caen en Normandie, Tanzhaus Zürich
Mit freundlicher Unterstützung von Canton de Vaud, Ville de Lausanne, Pro Helvetia – Fondation Suisse pour la Culture, Loterie Romande, Bourse SSA, Ernst Göhner Stiftung, Fondation Nestlé pour l'Art, Fondation Stanley Thomas Johnson, Migros Kulturprozent
Eine Koproduktion im Rahmen von Fonds des programmateurs de Reso – Réseau Danse Suisse
