Gessnerallee
Zürich

The term head voice was introduced in the 13th century to describe the high registers of the human singing voice. The Australian performance and sound artist Damian Rebgetz – who already thrilled and enchanted the Zurich audience in Dominic Huber’s «Warten auf die Barbaren» – explores the head as resonance chamber in this spoken word concert. He dedicates this show to post-human visions of song.